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Meeting held Thursday, November 6th, 2014. 7:30pm Shoreline Community College, Shoreline, WA.

AES PNW Section Meeting Report
Determining the Subjective Effects of Compression: Techniques, Topologies, and Factors
with Chris Deckard, Deckard Audio,
And
Bob Smith - BS Studios & Physio Control
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Committee Member Chris Deckard presenting on the subject of Compression Techniques.
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Chris Deckard and Bob Smith, November 2014 session presenters and PNW AES Committee members.
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Bob Smith demonstrates practical hardware compressor options.

Audio recording of the meeting:

Photos and audio recording by Gary Louie

PNW AES Section's November meeting featured a dynamic give-and-take about audio compressors. Presenters were Christopher Deckard and Bob Smith. The meeting was held at Shoreline Community College (Shoreline, WA) and about 50 people attended (20 AES members).

Chris Deckard, who recently left a job as a Mackie DSP engineer, realized that many people use compressors as a tonal tool as well as a dynamics tool. He showed a compressor analogy diagram (by Rick Chinn), showing a guy sitting on a hot plate, changing the volume based on how hot his butt gets.

Chris covered basics of compressors, like ratio, knee, attack/release times, as well as detectors - peak vs RMS, and different VCA topologies using feedforward, feedback, and lookahead configurations. Participants discussed the old trick of playing an analog tape backwards with a compressor/limiter or noise reducer, then using the result forwards, offering processing of reverse transients that might be compared to lookahead in some ways.

Much interaction with other attendees with experience in commercial compressor designs gave many additional insights, as did those asking about fundamentals of operation.

Looking for more insight into what makes a compressor sound like it does, Chris described some circuit configurations that are used for their sound. Some contributors to different sounding compressors include the optical system, like incandescent lamps, neon lamps, LEDs, electroluminescent devices, use of FETs, different VCAs, VariMu, use of transformers, tubes, or solid state. There was a lot of audience discussion of circuit nuances, and Chris noted that some critical parts used in the circuits have highly variable performance even when new.

Chris wrote a Matlab compressor simulator with graphic interface for research. He did several demos with different parameters, showing performance changes like THD with various settings. Active audience discussions included differences in limiters vs. compressors, and knee characteristics. The Matlab app could also render a sound file using the desired settings.

After a break, door prizes were awarded:

  • Mouserugs (from BuyNothingNew/Malott) - won by Rene Jaeger
  • Genelec Tee (AES Convention/RC)- Rachel Grusofski
  • AEA mousepad (AES Convention/RC) -Mark Rogers
  • Fluke Voltlight (Rick Rodriguez/Fluke) -Jason Kartischko
  • AES magnetic address book (AES Convention/RC) - Steve Malott
  • AES exhib directory - (RC) - Crystal Collins
  • AES convention Dailies set (DTL) - won by peson with email "macjunk@h*****l.com"
  • Vintage King Tee and lanyard (AES convention/GL) - Dan Spore
  • AES hand sanitizer and bookmark (convention/GL) - Connor Hoffman
  • Meterman DMM (Fluke/Rodriguez) - Steven McAnulty
Next, Bob Smith (Physio-Control and BS Studios) performed some practical hardware compressor demos using an RNC 1773. He changed settings and showed results on waveform screens as the audio demos played. He noted that such processing exposes noise problems from poor quality hardware/technique.


Reported by Gary Louie, PNW Section Secretary


Last Modified 7/16/2015 23:36:25, (dtl)